Then, by boosting the drive and playing with the Mix v. I achieved this by setting the Sidechain control to XLR Insert (with nothing patched to the insert), which negates the compressor. or Doc Derr, the Tweaker can be used as a saturator/warmer without having the compressor active. Throughout my time with the unit, I found myself wishing for one more knob at the end of the signal flow for adjusting level. From there, Mix and Output work together in a seesaw relationship, providing the only way to adjust overall output. For example, the manual states: “It is critically important to understand that the Output control does not adjust the overall output level of the compressor.” Instead, Output controls the amount of wet signal being fed to the Mix knob, which sets the wet/dry balance. That sounds ridiculous, but if you start with a fresh mind and no expectations, or at least try, you’ll save yourself hours of frustration. The best way to learn the Tweaker is to forget about anything else you know about setting up a compressor. Fit, finish and electronics are top-notch with solid, detented rotaries (a must on this unit), and bright LEDs and switches that you can bet will last. I had a pair for this review that I was able to use on many different sessions and applications with varying degrees of success and pleasure. The input stage, sidechain, release and ratio/knee are all dressed up in new clothes, allowing you to shape the output in many different ways. It’s a single-channel/rackspace hardware compressor that brings a lot to the table. The Kush Tweaker is such, taking liberties in both how it delivers compression, but also how you set the various buttons and pots to get there. Once in a great while you come across a piece of gear that challenges not only your experience with its main function, but also its user interface design.
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